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print publishing and apparel
19 x 26 inches (Oval)
his technique coalesces the voice of a fearless child with the wisdom of a seasoned warrior
With it's origins in fortune telling and the supernatural
All Good Things Catherine Moore print publishing and apparelDetails About Oil, Turpentine, and Hand Sanitizer on Canvas 24 x 24 in. 2016 Brian Donnellys portraiture deconstructs the dialogue between the audience and objects by experimenting with the fragile nature of artwork. Faces deteriorate, separate, and occasionally combust in his work, redefining it as transitional rather than perpetual. Presenting fading memories instead of permanent effigies Donnelly draws a parallel between the fragility of artwork
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